Program List
TOKYO MER: Mobile Emergency Room - THE MOVIE
劇場版『TOKYO MER~走る緊急救命室~』
The 70th floor of a Yokohama skyscraper is ablaze with 193 lives trapped inside. MER rolls into action determined to save everyone.
Winning “Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022” and “Best Actor for 4th Asia Contents Awards”, TV series “TOKYO MER: Mobile Emergency Room" first aired in 2021 on TBS.
The protagonist is MER ("Mobile Emergency Room"), a team of emergency professionals on wheels formed by the Tokyo governor with one mission only: to prevent a single death. Tasked with rushing to the scene of major accidents, disasters, and crimes, MER is armed with state-of-the-art medical equipment, a mobile operating room, and an elite staff ready to risk all to save lives.
★Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022 (“TOKYO MER” TV series)
★Ryohei Suzuki / Best Actor for 4th Asia Contents Awards (“TOKYO MER” TV series)
TOKYO MER: Mobile Emergency Room
TOKYO MER~走る緊急救命室~
Kota Kitami, a brilliant young ER doctor, has been handpicked by Mayor Azusa Akatsuka to head a new emergency response team dubbed TOKYO Mobile Emergency Room, or MER, outfitted with leading-edge medical technology and a large mobile operating theatre to respond to major accidents, natural disasters, and other emergencies. Their mission is simple: Save every life. Team member Nao Otowa, sent by the Ministry of Health, Labour and Welfare on a secret mission, ends up forming a close professional bond with Kota, and together the two men put their lives on the line every day to rescue others. But perhaps there’s more to Kota’s superhuman bravery and self-sacrifice than meets the eye...
경이적인 구명 기술을 가진 응급의사 기타미 코타는 도쿄지사의 명령으로 신설된 구명 응급팀 TOKYO MER의 리더.
최신 의료기기와 수술실을 탑재한 대형차량으로 재해와 사건 사고 현장으로 달려가 부상자를 치료한다.
“한 명도 사망자를 내지 않는 것”이 그들에게 내려진 미션이다.
의사 오토와 나오는「TOKYO MER」의 정식인가 거부를 위해 장관이 파견한 스파이였다. 하지만, 두 사람은 어느덧 의기투합하여 최고의 동료가 되어간다.
「기다리기만 한다면 생명은 구할 수 없다」라는 강한 신념으로 그 어떤 현장에서도 중상의 환자에게 달려가는 기타미. 그 장렬한 각오와 구명에 대한 집념의 이면에는 무엇이 있을까?
擁有驚人急救醫術的超級急救醫,喜多見幸太為東京都知事下令新設之專業急救團隊「TOKYO MER」的隊長。
被稱作MER的大型救護車配備著有最新的醫療器材及手術室,前往發生重大天災人禍等十分危險的事故現場,在第一時間為傷患進行急救為此團隊的使命。“要救活每一個人”亦為團員們的最大任務。
團員之一的醫生・音羽尚為厚生勞動省的官員,因厚生勞動大臣之令加入團隊為的是阻止「TOKYO MER」被正式核准,也就是個間諜的身分,但和喜多見在工作上逐漸互相理解,而成為最佳合作拍檔。
以「拯救生命刻不容緩」為信念的喜多見,只要有生命垂危的傷患在,無論是任何現場都會奮不顧身地前往。在他堅定的覺悟和對急救抱持的執念背後,究竟隱藏著什麼樣的秘密呢…
君と世界が終わる日に
One day, they were robbed of everything.
Car mechanic Hibiki Mamiya (26 years old) lives with his high school sweetheart Kurumi Ogasawara (26 years old). Life together feels so natural and filled with the warmth of each other's love. It was a happiness they expected would last a lifetime.
Hibiki is secretly preparing his proposal to Kurumi when misfortune strikes. A tunnel collapses, trapping him for four days. Barely making it out alive, he discovers a world completely changed. There is absolutely no one around, communication signals are dead, the transportation network is a wreck, and the only information available is the emergency evacuation order being repeated on the radio. Everywhere Hibiki goes, he sees bloodstains.
Just what happened to this town?!
Hibiki is all alone in this state of calamity. He frantically searches for his girlfriend but to no avail. Soon, he realizes the town was shut down after being designated as a hazardous zone. Eventually finding a few survivors, he wonders if they will be able to help each other get through this hopelessness. Or perhaps...
"If wishes do come true, I'd like to see you again one more time."
A desperate situation bombarded by unimaginable threats. What really happened to the town during the four days he was trapped? Pushed beyond his limits by what feels like the end of the world, will Hibiki find his beloved Kurumi?
白衣の戦士!
Introducing a fun and cheerful nurse career drama!
When one thinks of a nurse, an angelic image in white comes to mind. Truth be told, the hospital is where the battle for life takes place and those who work there shoulder enormous responsibilities.
Haruka Tachibana is a reformed delinquent who graduated from nursing school just this past spring and is still a neophyte at her job. Although free-spirited, wild, and bubbly, Haruka hates unrighteous and irrational things. She is even known to be quite empathetic and quick to shed a tear. Her childhood dream was to become a nurse, but the contrast between what she imagined and reality leave her in constant shock. Her days are filled with blunders typical of a novice.
Natsumi Mihara is a veteran on her 13th year as a nurse. Assigned to be Haruka's supervisor, she is recognized as being highly capable at her job by colleagues from all levels. By the way Natsumi works, it is easy to assume that she is the no-nonsense type. But she is actually a hopeless romantic who just wants a man she can depend on. Ironically, she only attracts guys who want to depend on her so her love life tends to go nowhere.
In the midst of her romantic woes, Natsumi is assigned to manage Haruka. Her initial impression is, "Of all people, I get a newbie who is such a handful?!" In time, however, things begin to change.
An angel in white turns into a warrior in this zany comedy that puts Haruka through laughter and tears as she evolves as a nurse involved in the fight for lives.
3D彼女 リアルガール
The Beauty falls in love with Otaku Boy!?
■ INTRODUCTION
Two teens who live in completely different worlds - a pretty girl who "has a life" and an anime-loving otaku with no romantic experience - fall in love. What will happen to their sincere, true love?
■ STORY
Iroha Igarashi, the prettiest girl in high school, is mistaken for a shoplifter at a bookstore but is rescued by Hikari Tsutsui, a hardcore otaku who loves 2D anime. The next day suddenly asks him to be her boyfriend. Although he is wary and wonders if he is being bullied in a novel way by someone who "has a life," he reluctantly agrees and the relationship between two completely different people begins.
■ Staff
Based on “3D KANOJO REAL GIRL” written by Mao Nanami (KODANSHA, DESSERT)
Directed by Tsutomu Hanabusa
Screenplay by Minato Takano Tsutomu Hanabusa
Music by Masaru Yokoyama