Hirosaki City, Aomori Prefecture. Miyako Aoki, who lives with her father, has not found anything she wants to do after graduating from a local high school. She is working at a supermarket to help her family make ends meet. Helping her father, a Tsugaru lacquerware craftsman, is the only thing she can devote herself to. However, her father, who succeeded her grandfather, a highly respected Tsugaru-nuri craftsman, loses the will to continue the business as the industry goes into decline, and the family finds itself scattered. The mother left the family because of the poor life and the selfishness of the father, and the elder brother, a hairdresser, chose to live freely instead of taking over the family business. Miyako is unable to openly declare her desire to pursue a career in Tsugaru-nuri, but as she confronts her family and the art of lacquering, she takes on a great challenge.

Story is about a single mother and daughter who is just diagnosed with early- stage breast cancer.
The girl’s wavering and confused mind begins to create cracks in her relationship with her mother, along with the uncertainty of her first love.

High school student, Yo (Sara Shida), lived with her father, Nao (Arata Iura), after her mother, Sachiyo (Hikari Ishida), left the family when she was very young.
However, their life together came to an end and they started a new life as a family of four with her father's second marriage partner, Miko (Akiko Kikuchi), and her stepdaughter, four-year-old Hinata.
She confides in Riku (Oji Suzuka), who belongs to the same art club as Yo, about her confusion about this new life. Yo, who has been developing curiosity for her biological mother, Sachiyo, promises to go with Riku to Sachiyo's art exhibition.

Two boys met and fell in love with each other in their high school days.
It has been 13 years since they first met…
The two live in different places. Nagisa has left for Australia after breaking up with Shun. Nagisa got married with a woman and has a child, but they have difficulties to continue their marriage. He is still in love with Shun then he goes back to Japan with his little girl to see him 8 years later after their breakup. This is the purest love story of two men and how they can survive from the discrimination and prejudice.　
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　春休みに江の島を訪れた男子高校生・井川迅と、湘南で高校に通う日比野渚。二人の間に芽生えた友情は、やがて愛へと発展し、お互いの気持ちを確かめ合っていく。しかし、迅の大学卒業を控えた頃、渚は「一緒にいても将来が見えない」と突如別れを告げる。
出会いから13年後、迅は周囲にゲイだと知られることを恐れ、ひっそりと一人で田舎暮らしを送っていた。渚は結婚したが、迅への思いを断ち切れず、妻とは離婚調停中である。ある日渚は娘を連れて迅の前に現れる。
これはLGBTQという題材を扱った、差別と偏見に向き合いながら周囲の人々と共に成長してくピュアで切ないラブストーリー。

This is a story based on a teenager boy’s high school life. Hironobu is a shy boy and he lacks passion in his life.
One day, he finds a unique and odd camera in his grandfather's second-hand shop.
The fact is that camera can make the longest panorama photo in the world!
Then he starts a project of making the longest panorama photo involving his friends.
After getting the camera, his colorless life gradually turns into vivid one.
Other unique characters come into this drama and will fill your heart with laughter and tears.

愛知県の学校で実際にあった出来事を基に、消極的で人生の目的を持てずにいた少年・伸宏がギネス記録を持つパノラマカメラと出会い、モノクロだった人生が鮮やかな色に変わってゆく、誰もが胸に描く青春の１シーンを切り取ったような爽快な青春群像劇が誕生。
目標もなく、冴えない毎日を送っている主人公・宏伸。 ある日、祖父のリサイクルショップでみつけた風変わりなカメラ。 それは、世界一長いパノラマ写真が撮れる特別なカメラだった！？その日以来、宏伸のモノクロだった人生は、だんだんと鮮やかな色に変わっていくのであった。
愛知県の高校で実際にあった出来事を基に個性豊かな登場人物たちが巻き起こす笑いと涙の物語は観る者の心に響きます。

At the age of seven, Sakubei Yamamoto entered a coal mine with his parents; this was the beginning of his 50 year career at the Chikuho mines in Fukuoka prefecture. The mines were pitch black and humid, and the threat of collapse or flooding was never far from the miner’s minds.
After retiring, Sakubei found work as a night guard. From the age of 66, he first began documenting his life and times working at the coal mines in essays and paintings. He left behind a legacy of over a thousand paintings, as well as 70 notebooks and diaries. Of this collection, 697 pieces were chosen for inscription on the ‘Memory of the World’ register. This program examines the life of Sakubei, and the incredibly detailed documents he left behind of the Chikuhocoal mines. What sort of figure was he, and what message does he convey to us through his artwork? Sakubei’s life and art is revealed through the stories told by those connected to him.
It got Certificate of Creative Excellence award at US International Film & Video Festival in 2014


日本一だった石炭生産地、福岡県・筑豊に生まれた作兵衛（1892-1984）は、およそ50年間炭坑夫として働き、その記憶を1000枚以上の絵に残しました。
暑く暗い地の底で石炭を掘る男と女の姿、道具、共同風呂やこどもたちの遊び、縁起や迷信。作兵衛が描いたのは、炭鉱で働く人たちとその家族が暮らす共同社会のすべてです。
ユネスコ（国連教育科学文化機関）は2011年、作兵衛の絵と日記など697点を「世界記憶遺産(※1)」に登録しました。日本での登録第１号です。日本でもまだ北海道釧路で、海底のさらに下から石炭を掘り出しています。
そしてほとんどを輸入に頼っていますが、日本の電気エネルギーの四分の一は石炭による火力発電が担っています。 国民一人あたりにすると、1年間に１トン以上の石炭を今も使っているのです。
番組では、かつて炭鉱で働いていた女性たちの証言、釧路やベトナムの炭鉱の迫力ある採掘現場の映像もまじえ、なぜ名もない山本作兵衛の絵が世界に認められたのか、また作兵衛は未来に何を伝えたかったのかを解き明かしていきます。


在七歲的時候，山本作兵衛在七歲的時候就與他的父母一起進入礦坑，這是他50年礦工生涯的開端。礦坑的生活十分黑暗與潮濕，擔心崩塌的恐懼一直存於礦工的心中。山本作兵衛結束礦工的工作後，繼續工作，擔任夜間的警衛。直到66歲時，他才開始使用煤炭來作畫。作兵衛的一生創作了近千幅的煤炭畫作，其中的667幅畫作會在節目中播放。除此之外，節目中還會介紹山本作兵衛的生平事蹟，以及他在筑豐碳坑的生活。透過本節目，觀眾將能瞭解碳坑畫師－山本作兵衛畫作中的故事。

The most（notorious）househusband in history appears！！
The sinister Yakuza who left behind many legends in the underworld, “The Immortal Dragon”
He washed his hands of the Yakuza lifestyle, and the new path he chose...was “househusband”!
Up to now, in Japan ‘househusbands’ were a rare breed, but they have been increasing, and now there are over 130,000 men who work as househusbands. Especially in the younger generation, it’s a job that over one third of them have chosen-the path of ‘stay-at-home’ husband！
In the drama, Tatsu handled many things such as cooking, cleaning, laundry, childcare and more. Among all that, the small things known as「Unnamed Housework」became a hot topic.
Yakuza×Househusband
In the never-before-seen narrative, ‘Tacchan’ charmed living rooms everywhere.
And now the “ultimate spokesman for [housewives（and househusbands)] everywhere”, the Yakuza Househusband, returns！